Brenda Murray sets out on a quest for the perfect sketching throne. It is the Goldilocks of decisions. It must not be too heavy, nor too tall, not too low, nor too big. Herein she shares her findings.
“The idea that we draw exactly what is there is too simplistic,” he explains. “We are rearranging reality as soon as we make a sketch. We edit. We don’t draw everything. We have a personal take on reality.”
Shari Blaukopf shares her Five Tips for Car Sketching AND How to Paint Snow.
Italian artist Umberto Torricelli talks about his experiences studying painting and drawing in Italy, the birthplace of western art and culture.
How to Work Sketching into your Everyday Life: An Interview with Paul Heaston